World In A Pump

 

Pumpa Monumental, FBA Project/El Paso -2009

It ain’t all war and drugs and deals.

Or is it?

Right here, in  the midst of it all is…this!

Who made this? Chinese hands? Sweat shop Haitian hands? Don’t tell me North Carolina hands! They did wingtips, right?

Who will end up with this radical pump? Where will they wear it (I think I can imagine)? Is there pain and despair there, or a  happy night? Baile, baile. I hope. Will this end up on the other side of the border or is there a place, close by, that will be dazzled by the wearer of this shrine?

Is this the scariest thing I have ever seen or the funniest and why is it this that provokes my thoughts and not the library or some archive or gallery? Why is it this that reminds me of those who toil without options of what is toiled at? Is everything always going to bring my thoughts to the Cartel, to class disparities, to the haves and the have nots, to the black magic of the border? Is that my fate: to see the most outrageous shoe in the history of my life and I can only think of slavery, not aesthetics?

Can I just let it slide? That seems like a long time ago.

Ah, all this in la pumpa monumental.

I smile. I gather the image. I harness my moment. What else can you do? We’re all stumbling around, teetering on some spiky platform or another. Making it look good. We toil at what we toil at, we dance with the partners we’re given, we all try to slick it up. What else can you do?

Otra vez, calle El Paso…estas el mejor!

I have loved you for a long time.

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Welcome To Juarez

 

Entrance to Juarez, June 2009

Militarization works two ways.

The bridges between Juarez and El Paso used to be friendly -although tedious if in a car- gateways to good times or better times, depending on which way you were traveling. Or is that just nostalgia?

Well, if not “friendly,” than at least not hostile.

Now they are reinforced pathways to go do what you gotta do. No joking. Get back by dark. All business. No fun or pleasure. Nothing lives. One endures the crossing. Rigid. Steel. Chrome molly tubes. Crash proof.

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Ciego Musico/Blind Music

Calle Juarez, Ciego musico/Blind Music, Juarez – 1982

Juarez

This man played in the streets of Juarez for all my first years in La Frontera. He was blind. He was small. He made music like a special desert bird, joyful to bathe in just a drop of water, joyful to sing, even to the passing and witless American tourists.

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Viva Los Viejos

Dignified man at the crossroads , El Paso, Texas / 2007

A man stands in the last light of the day at the corner of 6th and El Paso Street in El Paso, Texas. This is the first street of the United States after entering the U.S. from Mexico from the Paso Del Norte International Bridge. The bridge links Ciudad Juarez with El Paso and 6th and El Paso streets could be considered the crossroads of the northern part of the Western Hemisphere from south to north.

A lot of old folks (viejos) grew up in this barrio and are still there. They are the dignity of the barrio.

Imagine how people felt when a picture of an old viejo was used, by City planners, to show what was wrong with El Paso?

Los Viejos are what’s right with El Segundo.

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Mexico Sorts It Out: Obrador Gets The Boot

Boot/Shoe, El Paso, Texas, Highway 60/182 (Alameda Street), 2006

Text and Photography by Bruce Berman

Mexican presidential candidate Andres Manuel Lopez Obrador has called for a ballot-by-ballot review of Sunday’s presidential vote. He says the stability of the country is at stake. Mexico’s Federal Electoral Institute Wednesday began reviewing the totals from polling stations to determine whether Obrador’s rival, Felipe Calderon, really won the election Sunday. A preliminary count showed him ahead by only one percentage point. Both candidates declared victory Sunday night.

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REMEMBERING LUIS

Luis Jimenez, Hondo, New Mexico, 2001

Born: July 30, 1940, El Paso, TX / Died: June 13, 2006, Hondo, NM

 Read Luis Jimenez’s Bio here.

 

The first time I met Luis, back in the seventies, he came into my apartment and seemed to fill the room. It was like no room was big enough for him.

 He was that big of a g

 Not physically, although he was that powerful.

 Not spiritually, although he did have that aura of somebody who really sees the bigger picture.

He was just big. All of it. Life. Love. Art. Humor. Seriousness. Ambition. Regular guyness.

 When I first met him, and I suspect this is what most people felt upon first encounter, I felt like my life was just a lot more complete than it had been a moment before.

 If you wanted to be good at something, in my case it was to be a photographer- you knew he’d be encouraging for your dream.

He was a brother. A big brother. And like a lot of big brothers, he was larger than anyone could possibly be.

 And, man, was he smart.

 He said what mattered. He lived He cut the crap.

 He made impossibly complex Art and made it look like you could buy it from a south side El Paso Body Shop. And the Art mattered. It was about something. It was about him and our culture and his culture and the idiocy of our system and about the flora and the fauna and intuition and magic and love and joy.

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