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Where’d El Paso Go: Le Foo Foo!

Opinion/Observation

by Co-Editor Bruce Berman

___________________

I drive my old routes. Camera on the passenger seat or my lap. As always, these days it usually stays there, untouched. There are things along the way that spark memories. Object that aren’t there anymore. Gorgeous commercial signs constructed by craftsmen in the 1950s and 60s (not the least of which from the Jimenez Sign Company) were carted off to other cities that were twenty years ahead of El Paso in their bourgeoisie ambitions.You can drink under some of El Paso’s “Motel, Vacancies,” signs in various bars from Austin to Houston to Baton Rouge. There’s a withering away now, aging and weathered, but mostly not endearing anymore, not worth stopping for (to make images). There came a year, a month, a day when the treasures of El Paso were either gone, carted off or just left to rot.

There are whole swaths of this incredible and authentic city that are gone, at least for the long gaze of a photograph: Alameda. El Centro (downtown). Segundo is shrinking fast, bordered by El Paso Street on the west (with nasty tentacles of them all over it) and Cotton on the far east, with old residents living out their days, youth getting out fast and them with their bulging eyes all over it. Off of Delta there are condominiums and some revamped industrial buildings, residents living an almost urban lifestyle (sans humanity). Even the Gay Bars have fled, a sure sign of urban renewal/removal.

It’s not my job to do anything about any of this. My job, as I saw it, at the beginning, in 1980, was to give face to a face that was not known and I have tried. As The Grid lays out its future in the city with two hearts, it’s clear to me that my mission isn’t to pick sides in land rights, power exchanges, or to watch -or judge- the inevitable blandification. But blandification has come. Oh happy day. Some loudly exhale and go, finally! The city is becoming presentable to visitors again. It’s cleaner. It’s newer. There’s baseball. Soccer is coming (watch out Chamizal! The final blow that started in the mid 1960s is finally here). There are restaurants with the preface Le with Foo Fo thing-a-ma-jig dishes with little portions of things that look like they squiggle -vegetables- on top of things it’d be hard to identify below. Fancy. Plates of Foo Foo. There are young people downtown again, well, the kind of  young people that look like they’d also be comfortable up in Kern Place on Cincinnati and the upper Westside.

Finally, there’s a Starbucks downtown near the Plaza and the Westin. The kids from the ‘hood can serve the hipsters that come in from outer Zaragosa Road and beyond.

Woman fleeing, El Central/El Paso
Family of Shadows, El Paso, Texas. ©BruceBerman2007

Boring? Not to everyone and I wish them the best. I am not part of this. I left this scene in three other places I lived before this very long stretch here. It’s the same message: you’re in the gentry or you’re equitied out of the gentry.

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Robot Geeks Attack El Paso

 

V.I.P. at Robo-Geek Fest, El Paso, Texas

all photographs by Bruce Berman

Robots at Robo-Geek Fest, El Paso, Texas

Robot attacks little girl at Robo-Geek Fest, El Paso, Texas

Story by Bruce Berman

El Paso —-

Four-wheeled robots wielding paintball guns took over the Western Technical College Northeast campus on October 15, when students from nine area high schools competed in the college’s first T-Robo Competition. The students design, program and build the robot vehicles.

The competition was part of a daylong event, which included a Geek Fest with demonstrations by area engineering and technology businesses, as well as Fort Bliss and White Sands.

There was a military flare to the event showcasing various careers in the STEM fields. STEM stands for science, technology, engineering and mathematics. Possible applications for the robotic vehicles would be non human operated military vehicles or “drones.”

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The Heart of El Paso/Alligators And Kids With Heart

 

Luis Jimenez’ Largartos (Alligators) in San Jacinto Plaza,

El Paso, Texas, July 2011 by Bruce Berman

El Paso —

by Bruce Berman

This is what kids do on their Quincineras in El Paso. They go to the heart of El Paso. They go to the downtown plaza, the “San Jacinto Plaza.”

This is what they want to record for a background, Los Lagartos, the alligators. They don’t go to the Mall. The Plaza theater around the corner really isn’t open to them (hey why not show movies? Why is it closed? It’s for “the people, isn’t it? Show movies in the daytime and they will come). Kids -and visitors- go to where their heart tells them there is a soul to the city: they visit Los Lagartos.

Do they even know why? Do they know that the artist who conceived and constructed the Lagartos was one of them, a local kid who once had  a rented tux(I’ve seen the picture), celebrating like El Paso kids do, joyous and robust, almost free for a day (well that Limo driver is just out of camera range and is -unofficially- going to pass on a little mini spy report to the parents and they know it!).

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The Great Border Storm of 2011: El Paso – Juarez

 

The Great Border Storm of 2011, El Paso-Juarez

by Bruce Berman ©2011

EL PASO –It was an amazing storm. Hard to believe it happened. Zero temperatures (in El Paso!!!!). Ice. Snow. Irregular electricity. No internet. Intermittent Gas (for some people). Highways closed. Jobs (including mine. I haven’t been to NMSU since last Tuesday! Bummer! I like it) canceled. Everything closed. Voluntary curfew (requested). Went on for three to five days (depending on which part of this freaky happening we’re talking about, and, when it was all over, yesterday, it wasn’t over because there were major outages of water (I’m going to get that shower eventually…like today!).
Now I think it’ll be El Paso again and we’ll be in shorts T Shirts and swamp coolers, squishy asphalt, hoods up and steaming radiators and complaining about the heat in no time at all.
Like I said, it was like a dream and hard to believe it ever happened.

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El Paso Dreamin’

 

Town for sale, El Paso – Feb. 2010

From the movie The Border:

Marcy (Valerie Perrine) : (Showing her Border Patrol husband brochures about El Paso, trying to talk him into moving there, at their breakfast table, in Los Angeles) Honey sometimes you gotta dream.

Charlie Smith (Jack Nicholson) : (Pausing, furrowing his now signature brow) I never dreamed no El Paso.

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Cameraphone session, 5:15pm, December 20, 2007 / Centro El Paso

Cameraphone session, 5:15pm, December 20, 2007 / Centro El Paso

El Paso’s El Centro, the downtown, is packed with people at Christmastime. Unlike most cities of the southwest and of the rest of the United States, El Paso’s downtown is alive and bustling at all times of year, but especially during this season.

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Snatched In El Paso

Snatched Mexican day laborer sits in the back of a Border Patrol van, El Paso 1999

Most “illegal immigrants,” incarcerated in El Paso are laborers who’s immigration activity is, merely, a two way commute, finding them returning to Juarez, Mexico, at the end of a work day. Being incarcerated by the Border Patrol inconveniences the worker but does not deter the activity. Wages in Juarez average around $5 to 6 day. In El Paso a Day Laborer makes an average of $ 25 to 40 a day. The difference in wages makes the bureaucratic discussion of deterrence moot.

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UNCANCELLATION

Cancellation #93, Mom’s Kodak film, Chicago, 1950s

I once did an entire series of photographs called “Cancellations.”
It started because one day I was looking at a stack of shipping boxes of my photographs that I had sent to various galleries and museums (pre Internet) that had been summarily rejected. Thanks. No thanks, return to sender. There were a lot of stamps on those heavy boxes. The post office cancellations were ruthless, slashing, colorful. It’s like the post office knew I was unworthy, as well. I half jokingly wondered if the galleries hadn’t done it themselves.
I got lucky here and there, exhibited them for awhile. Dallas. Houston. Cologne, Germany. The art world thought they had found a new star. I knew I was a fraud.

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Artist, Marine, Steelworker, Truckdriver, Hip Guy

[flagallery gid=7 name=”Gallery”]

©2010 Bruce Berman

EL PASO  —  Grave is a Renaissance man. He prowls the city spraying paint, rapping with passerby (me included), dreaming of new projects, checking out vacant walls that he or his kids can awaken, always lining up the next stuff, sharing philosophy, Being.

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