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Isabel Gilmore: Woman of the Empty Lands

Isabel Gilmore, Salt Flat Cafe, Salt Flat, Texas, 1988

Story and photograph by Bruce Berman

There were people who grew up along two lane highways who had, at most, radios to connect them to the outer world. They lived in quietude. A car would occasionally pass on U.S. 62/180. Some would stop.
I stopped.
She put down her local paper (from Van Horn, I think it was). She made eggs, fried some hash browns and made toast. Everything she was and did was from a past time. These were moments of grace.
She was far from being a receding type, had lots of questions, and I think her main form of being informed was interviewing anyone who stopped at her cafe. She had been doing this for a long time and I think her parents did it before her.

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UNCANCELLATION

Cancellation #93, Mom’s Kodak film, Chicago, 1950s

I once did an entire series of photographs called “Cancellations.”
It started because one day I was looking at a stack of shipping boxes of my photographs that I had sent to various galleries and museums (pre Internet) that had been summarily rejected. Thanks. No thanks, return to sender. There were a lot of stamps on those heavy boxes. The post office cancellations were ruthless, slashing, colorful. It’s like the post office knew I was unworthy, as well. I half jokingly wondered if the galleries hadn’t done it themselves.
I got lucky here and there, exhibited them for awhile. Dallas. Houston. Cologne, Germany. The art world thought they had found a new star. I knew I was a fraud.

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Where’d El Paso Go: Le Foo Foo!

Opinion/Observation

by Co-Editor Bruce Berman

___________________

I drive my old routes. Camera on the passenger seat or my lap. As always, these days it usually stays there, untouched. There are things along the way that spark memories. Object that aren’t there anymore. Gorgeous commercial signs constructed by craftsmen in the 1950s and 60s (not the least of which from the Jimenez Sign Company) were carted off to other cities that were twenty years ahead of El Paso in their bourgeoisie ambitions.You can drink under some of El Paso’s “Motel, Vacancies,” signs in various bars from Austin to Houston to Baton Rouge. There’s a withering away now, aging and weathered, but mostly not endearing anymore, not worth stopping for (to make images). There came a year, a month, a day when the treasures of El Paso were either gone, carted off or just left to rot.

There are whole swaths of this incredible and authentic city that are gone, at least for the long gaze of a photograph: Alameda. El Centro (downtown). Segundo is shrinking fast, bordered by El Paso Street on the west (with nasty tentacles of them all over it) and Cotton on the far east, with old residents living out their days, youth getting out fast and them with their bulging eyes all over it. Off of Delta there are condominiums and some revamped industrial buildings, residents living an almost urban lifestyle (sans humanity). Even the Gay Bars have fled, a sure sign of urban renewal/removal.

It’s not my job to do anything about any of this. My job, as I saw it, at the beginning, in 1980, was to give face to a face that was not known and I have tried. As The Grid lays out its future in the city with two hearts, it’s clear to me that my mission isn’t to pick sides in land rights, power exchanges, or to watch -or judge- the inevitable blandification. But blandification has come. Oh happy day. Some loudly exhale and go, finally! The city is becoming presentable to visitors again. It’s cleaner. It’s newer. There’s baseball. Soccer is coming (watch out Chamizal! The final blow that started in the mid 1960s is finally here). There are restaurants with the preface Le with Foo Fo thing-a-ma-jig dishes with little portions of things that look like they squiggle -vegetables- on top of things it’d be hard to identify below. Fancy. Plates of Foo Foo. There are young people downtown again, well, the kind of  young people that look like they’d also be comfortable up in Kern Place on Cincinnati and the upper Westside.

Finally, there’s a Starbucks downtown near the Plaza and the Westin. The kids from the ‘hood can serve the hipsters that come in from outer Zaragosa Road and beyond.

Woman fleeing, El Central/El Paso
Family of Shadows, El Paso, Texas. ©BruceBerman2007

Boring? Not to everyone and I wish them the best. I am not part of this. I left this scene in three other places I lived before this very long stretch here. It’s the same message: you’re in the gentry or you’re equitied out of the gentry.

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El Toro bi-plane, Juárez

El Toro bi-plane on La Avenida, Juárez, 2008

Streets of Juárez are changing.

The murderous last few years are being replaced with growth. Planned growth.

The entire border is under development and there have been plans for decades that are now starting to happen.

It’s as if the violencia was a cleansing. Or was it a scrubbing?

In the “new” Juárez there won’t be any Bi planes. The era is gone. Anything from the 20th Century will become increasingly a rarity.

So be it. C’est la vie. Es la vida. What can one say?

Or was it a

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Robot Geeks Attack El Paso

 

V.I.P. at Robo-Geek Fest, El Paso, Texas

all photographs by Bruce Berman

Robots at Robo-Geek Fest, El Paso, Texas

Robot attacks little girl at Robo-Geek Fest, El Paso, Texas

Story by Bruce Berman

El Paso —-

Four-wheeled robots wielding paintball guns took over the Western Technical College Northeast campus on October 15, when students from nine area high schools competed in the college’s first T-Robo Competition. The students design, program and build the robot vehicles.

The competition was part of a daylong event, which included a Geek Fest with demonstrations by area engineering and technology businesses, as well as Fort Bliss and White Sands.

There was a military flare to the event showcasing various careers in the STEM fields. STEM stands for science, technology, engineering and mathematics. Possible applications for the robotic vehicles would be non human operated military vehicles or “drones.”

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The Heart of El Paso/Alligators And Kids With Heart

 

Luis Jimenez’ Largartos (Alligators) in San Jacinto Plaza,

El Paso, Texas, July 2011 by Bruce Berman

El Paso —

by Bruce Berman

This is what kids do on their Quincineras in El Paso. They go to the heart of El Paso. They go to the downtown plaza, the “San Jacinto Plaza.”

This is what they want to record for a background, Los Lagartos, the alligators. They don’t go to the Mall. The Plaza theater around the corner really isn’t open to them (hey why not show movies? Why is it closed? It’s for “the people, isn’t it? Show movies in the daytime and they will come). Kids -and visitors- go to where their heart tells them there is a soul to the city: they visit Los Lagartos.

Do they even know why? Do they know that the artist who conceived and constructed the Lagartos was one of them, a local kid who once had  a rented tux(I’ve seen the picture), celebrating like El Paso kids do, joyous and robust, almost free for a day (well that Limo driver is just out of camera range and is -unofficially- going to pass on a little mini spy report to the parents and they know it!).

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The Great Border Storm of 2011: El Paso – Juarez

 

The Great Border Storm of 2011, El Paso-Juarez

by Bruce Berman ©2011

EL PASO –It was an amazing storm. Hard to believe it happened. Zero temperatures (in El Paso!!!!). Ice. Snow. Irregular electricity. No internet. Intermittent Gas (for some people). Highways closed. Jobs (including mine. I haven’t been to NMSU since last Tuesday! Bummer! I like it) canceled. Everything closed. Voluntary curfew (requested). Went on for three to five days (depending on which part of this freaky happening we’re talking about, and, when it was all over, yesterday, it wasn’t over because there were major outages of water (I’m going to get that shower eventually…like today!).
Now I think it’ll be El Paso again and we’ll be in shorts T Shirts and swamp coolers, squishy asphalt, hoods up and steaming radiators and complaining about the heat in no time at all.
Like I said, it was like a dream and hard to believe it ever happened.

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Artist, Marine, Steelworker, Truckdriver, Hip Guy

[flagallery gid=7 name=”Gallery”]

©2010 Bruce Berman

EL PASO  —  Grave is a Renaissance man. He prowls the city spraying paint, rapping with passerby (me included), dreaming of new projects, checking out vacant walls that he or his kids can awaken, always lining up the next stuff, sharing philosophy, Being.

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Angelica Looks Up

 

Angelica, Segundo barrio, El Paso – Oct. 18, 2010

EL PASO –Angelica Alvarez. A true believer. A believer in her faith. A believer in a better day. A believer in joy.

I noticed her as she worked her way down the street, engaging every person that she encountered, leaving each person she talked with a smile on their face, enthusiastically waving goodbye to her, they no longer strangers.

I followed her.

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Do You Have Shares In Hell?

 

Street kids on Avenida Technologico, Juarez – 2010

Pictures?

More pictures of dead bodies in the streets of Juárez?

Hard to want to do. I’m not visiting. I live here. It’s better when you have to get the images for your boss/editor and then high-tail it to the airport.

But, I’m not working for a daily paper anymore.

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“El Paseo” (With Death in the Shadows)

 

Town plaza, Zaragoza, Chihuahua-05/08/2010

Sunny normal day.

In Zaragoza/Juárez?

Impossible!

I couldn’t work it in -excuses!- but beyond the Tarahamara woman and her brood, in the deep darkness of the trees, protected by yellow police tape and the Policia Federal -who shooed me away- lies a dead woman in her twenties.

Cause of death? Bullet wound.

Reason for death? Unknown.

Plaza Zaragoza. Gateway to the east valley of Juarez, the new turf of the Cartel who have all but emptied the towns there, clearing them like you’d clear a loading dock, which is what the Cartel has done.

Anything in the way is burned or buried.

Maybe this woman was in the way.

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Remnants del ‘Hood

Remnants del ‘hood, El Paso – March 14, 2010

There ain’t much left.

Mostly the pickins’.

This was the Grand Highway, the Spanish Trail, the beginning of the end of the long journey from East to West or vice-versa, the tip of the arrow into the dart board that was Downtown El Paso.

Interstate came and went around, population moved to new turf, businesses followed, but the old Highway 80  lingered, going from Consumer to Warehouse and beyond. A modern day Babitt, Ohio.

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El Paso Dreamin’

 

Town for sale, El Paso – Feb. 2010

From the movie The Border:

Marcy (Valerie Perrine) : (Showing her Border Patrol husband brochures about El Paso, trying to talk him into moving there, at their breakfast table, in Los Angeles) Honey sometimes you gotta dream.

Charlie Smith (Jack Nicholson) : (Pausing, furrowing his now signature brow) I never dreamed no El Paso.

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El Dia de San Valentin

 

La “MC,” Lidia, San Valentin Beauty Show

El Paso – Feb. 13, 2010

El Dia de San Valentin/El Paso, Texas

Candy? Flowers? Lingerie?

Furgidaboutit!

Beauty!

Big day on the border. Everywhere now. Billions in tooth decay. Billions in flowers grown in eco-destroying third world corporate gardens.

Bah humbug (or whatever malapropism you say on Valentin’s Day)!

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A Warm Farewell

A piece written to my photography students at the end of a fine semester at New Mexico State University. Forgive the “first person.” Originally posted on their class website at www.nmsu.documentaryshooters.com:

CrazyHands_WarmBlankie LoRes

Brucini w/New Blan­ket from a Good Friend, El Paso –Dec. 9, 2009

So it comes to this, the semes­ter ends, we go our own way, we know more for hav­ing known each other.

We have had our ambi­tions and we have had our dis­ap­point­ments but, what we mostly have had, I think, is a jour­ney of discovery.

At least, it’s has been that way for me.

I was given some­thing won­der­ful today: a very warm blan­ket from a very good and thought­ful friend (she had heard that my Loft is frigid in the win­ters, a con­crete old fac­tory build­ing of a palace, not designed to be lived in).

I stopped on the way home for some Christ­mas lights. First time in my life I have bought any. How can one not suc­cumb to this Sea­son when such kind ges­tures are extended?

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