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EL PASO –Angelica Alvarez. A true believer. A believer in her faith. A believer in a better day. A believer in joy.
I noticed her as she worked her way down the street, engaging every person that she encountered, leaving each person she talked with a smile on their face, enthusiastically waving goodbye to her, they no longer strangers.
I followed her.
Pictures?
More pictures of dead bodies in the streets of Juárez?
Hard to want to do. I’m not visiting. I live here. It’s better when you have to get the images for your boss/editor and then high-tail it to the airport.
But, I’m not working for a daily paper anymore.
There ain’t much left.
Mostly the pickins’.
This was the Grand Highway, the Spanish Trail, the beginning of the end of the long journey from East to West or vice-versa, the tip of the arrow into the dart board that was Downtown El Paso.
Interstate came and went around, population moved to new turf, businesses followed, but the old Highway 80 lingered, going from Consumer to Warehouse and beyond. A modern day Babitt, Ohio.
Candy? Flowers? Lingerie?
Furgidaboutit!
Beauty!
Big day on the border. Everywhere now. Billions in tooth decay. Billions in flowers grown in eco-destroying third world corporate gardens.
Bah humbug (or whatever malapropism you say on Valentin’s Day)!
A piece written to my photography students at the end of a fine semester at New Mexico State University. Forgive the “first person.” Originally posted on their class website at www.nmsu.documentaryshooters.com:
So it comes to this, the semester ends, we go our own way, we know more for having known each other.
We have had our ambitions and we have had our disappointments but, what we mostly have had, I think, is a journey of discovery.
At least, it’s has been that way for me.
I was given something wonderful today: a very warm blanket from a very good and thoughtful friend (she had heard that my Loft is frigid in the winters, a concrete old factory building of a palace, not designed to be lived in).
I stopped on the way home for some Christmas lights. First time in my life I have bought any. How can one not succumb to this Season when such kind gestures are extended?
Remember?
Joy?
Fifteen and delirious, defiant and non-idealogical, optimistic and uncertain, determined and hesitant, at times wildly free and untamed.
Quinceañera.
Militarization works two ways.
The bridges between Juarez and El Paso used to be friendly -although tedious if in a car- gateways to good times or better times, depending on which way you were traveling. Or is that just nostalgia?
Well, if not “friendly,” than at least not hostile.
Now they are reinforced pathways to go do what you gotta do. No joking. Get back by dark. All business. No fun or pleasure. Nothing lives. One endures the crossing. Rigid. Steel. Chrome molly tubes. Crash proof.

The Megabandera (giant flag) in the Chamizal Park in Juarez is usually the place for joy and pleasure, a meeting place for families, lovers and tourists.
That was before la catástrofe.
The catastrophe.
Before the Cartel War.
El barrio is a community. Bruised. Not what it was. Sitting on the border and prime target of speculators, er…ah…read that as “Developers,” but still standing. Go back and ask anyone in any American city, for the past 60 years if “Urban Renewal,” was about construction or destruction. If you actually need to, go ahead.
It was only a year ago that the plight of the people of Lomas del Poleo was the highest priority of cross border activist politics. The people were systematically being robbed of their land, their court actions were, basically, being stonewalled, the injustice of the top to the bottom was blatant and a coalition of forces stepped up and, on this day did, a bi-national protest at the Mexican Counsulate in El Paso and the Mexican Counsulate in Jaurez.
That seems like long ago.
Why do I ever leave my loft?
Went to the gym where a friend of over three years, a retired professor at the local university, someone who has never displayed anything but kindness and goodwill, out of the clear blue, no warning, told me “…the Jews got what they deserved after all the stuff they did as bankers in Germany, don’t you think?”
Wha-a-a-a-a-a?!
Miguel.
Another border encounter.
He’s a savior for me on this day.
October 20, 2007
A group of 150 people from different grass roots and human rights organizations from Juarez, El Paso, Guanajuato and Mexico City, arrived in a school bus and private cars at noon, October 20, to discuss globalization, displacement, human rights violations and femecide.
Paricio Valasquez has played his guitar in the cantinas of downtown El Paso for more than 49 years. He is fully wired.
Regino Olivas-Mendoza, 47, hangs around a car wash in central El Paso. He wears a sign that says, “Homeless today, Is my birthday, can you help me?”
Hugo(last name not given) shows his high school “colors,” on Father Rahm Street on El Paso’s south side. It is twilight and he has been working on a mural at the Sagrado Corazon church’s gym.
Centro El Paso – Enero, 2007 – photo by Bruce Berman
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Blogmeister’s Note: This is a piece written by a friend of The Border Blog. He is a Mexican National, a university student who attends the university in El Paso and a good guy. Especially, if one is looking for an insight, note the second to last paragraph and multiple it by the millions.
The BB welcomes all viewpoints, especially this one . Thank you, Javier :
Why I Voted For Felipe Calderon
I was listening to my aunt Lupe while we were driving down Periferico
Sur highway about a month ago in Mexico City. She told me about Andres Manuel Lopez Obrador (editor:AMLO), the presidential candidate (at the time), and how he managed to obtain the votes of lots of people in Mexico City by offering social assistance to senior (over 65) people and single moms while he was the city’s mayor.

Dust Surrender in El Segundo, April 20215
The Dust Storms of 2025 in West Texas (El Paso), New Mexico and Chihuahua will not soon be forgotten.
In fact I made sure of it for me by producing a book about them and about THE Dust Bowl for good measure.
The book is informative and fun and honor’s a great woman –my mom– who lived through it am shared her stories.
Check it out at Amazon: https://shorturl.at/KXIHu

Dad Cab, El Paso, Texas, March 2025
Text and Photo by Bruce Berman
For sure, one of the things I like about El Paso, the Border and maybe the culture of the Southwest, is the prevalence of family.
It’s the foundation of that city. Over 80% Latino, it’s a natural outgrowth of that culture.
Here, on a busy street (Hawkins Boulevard), Dad happily gives his niña a ride. From when I first noticed him until he turned a corner I could not, he had walked over a mile!
This wasn’t funzy... it was required transportation.
Dad Cab.
Probably one of the memorable rides of her life.
Southside El Paso, February 27, 2024
Text and Photograph by Bruce Berman
Dodged the bullet again. Well, this time there is no ‘explainin’ it so it’s fair to say, a hand deflected the fatal bullet.
Another chance.
Haven’t been doing photography much–for myself–in recent years. Been teaching. 34 semesters and most days in between spent on working at it. Caught up with me. Every word that went out came out of somewhere, somewhere where ghosts dance, that place deep inside where who we are actually lives. I built that up for years. Can one afford to let it go, driveled out in a million repetitions? And, for what? On February 12 a bomb exploded in my chest during my first class of the day. I taught my way through the whole class while The Reaper toyed with me, as God stood by and watched me gamble. Idiot! Why would I think God would intervene for a fool?
It wasn’t my time it turns out. Not now. Not yet. Why? All the right pieces fell together on the timeline, miraculous people showed up, the traffic parted ways for Mary’s defacto EMS Hyundai, and colleague Darren, always quiet, protecting his genius, appeared. Navy man. He all but carried me to the car then went into the building and with the precision of a true leader, with his cellphone, assembled the “troops,” at the nearby hospital, the cardiac team. Mary battled noon traffic. I was in and out, almost gone. We got there and Dr. Miracle, Abdul, his Rock ‘n Roll med team, waiting, like a great band about to play the once in a lifetime anthem; Lights Out.
Running Dog, El Paso, November 2023
Text and Photograph by Bruce Berman
I thought I was bringing “the border” into homes that knew it not.
I no longer think that.
I remember an acquaintance, at an exhibition I had, coming up to me after the show and talk and saying, “Now I really know the border and I’ve lived here all my life.”
I was flattered and felt great gratitude. After all, that was my intention in photography, to show and tell what others didn’t see or know.
He then said, I’d buy a photograph, but my wife just couldn’t see one that fit her new color scheme for our living room.
I didn’t know what to say. What could you say?
I understood that when he said he finally “knew the border,” he actually meant he finally could see how he could use what I saw and made for his own needs and wants.
¿Interesante, eh? It’s OK, but I hope for more.
I’ve come to know that most people overlay themselves on the border–maybe on all photography–and for them whatever is there is what is already embedded there, within them, no matter what the image shows.
So be it.
I look for coherence in what is incoherent and hope that someone–anyone–sees what I saw, felt what I felt, but most importantly, comes to know what I know from it.
I have have no expectations.
Ghost, Exit Zero, Anthony, Texas, May 18, 2023
Text and Photograph by Bruce Berman
This is the first photograph I’ve taken in a long time that actually means anything to me.
I’ve been a photographer for fifty-five years. So that’s kind of a sad statement, eh?
I’ve been teaching photography at New Mexico State University for the past seventeen years. It takes its toll.
All the energy I ever put into my own work and the work of the work that allowed me to live off of it gradually but inevitably goes into inspiring others to do what I used to do.
Anyone that teaches can tell you there are some great students that make it all worth it. They’ll probably also tell you there are a plethora of others that didn’t treasure the gift you gave. It’s part of “the biz.” You roll with it.
I do think there comes a time, a rubicon, where your own creative desires become endangered. It’s not just the endless repetition about the mechanics, and the history and the nuances of doing photography, it’s also the endless drivel of academia, the business of being in a university, the committees that mean nothing to me personally, seemingly a bubble of detachment from reality, the occasional obscenity of human behavior, acting so massively vicious because, the stakes are so low. Politics are vicious and low. The feeling of irrelevance can be very high.
Luchador Baterias, Alameda Street, El Paso, Texas, 2022 ©Bruce Berman
Text and Photograph by Bruce Berman
Muralismo was a political art protest movement, strong the 1960s through the 2000s. Increasing, murals,. and mural artists are not only accepted throughout American communities, but, often, artists are sought out to create murals on businesses large and small.
Why not!
They’re powerful, colorful and add a touch of “the ‘hood,” to seemingly unhood establishments.
They reek of “Down With The People!”
There are a lot of artists out there and a lot of art schools producing a lot of artists.
More and more, in the actual ‘hood, murals are just commercial signs, sans political and cultural content.
Whatever! At least they aren’t plastic and mass produced, like so much else that has crept into our culture.
And, in the ‘hood, muralismo is still going on, with heart.
Border (enhanced)booty, El Paso Street, El Paso, Texas, April 2022
Photograph and Text by Bruce Berman
Who knew? And, in pink, yet!
Betcha there have been many surprises.