Alien Babe in El Paso – May 2009
Sometimes it’s more fun to interact with dummies than it is people.
Dummy Babe (the real deal)
Sabastio Salgado Speaks
The great Brazilian photographer Sabastio Salgado talks about his work. He is one of the premier “Socially Concerned,”photographers in the world:
Blight? Schmite! Leave El Barrio alone.
Guadalupe(s), Segundo barrio, El Paso-Oct. 2008
El barrio is a community. Bruised. Not what it was. Sitting on the border and prime target of speculators, er…ah…read that as “Developers,” but still standing. Go back and ask anyone in any American city, for the past 60 years if “Urban Renewal,” was about construction or destruction. If you actually need to, go ahead.
A Valentine (in Texas)
Cracked window in Valentine, Texas-Jan. 9, 2009
There I am, tooling through the vast landscape of West Texas, working for an English language newspaper working out of Abu Dubai, Arab Emirates. Don’t ask. I’m not sure I understand the assignment. Something about Bush returning to Texas and illustrating what two brothers, who were doing a road trip, saw (except, according to my editor, they were really bad photographers). What that has to do with West Texas, I can’t figure.
Border Christmas: Grinchy but real!
Border Christmas: Grinchy but real!/El Paso-Dec. 24, 2008
Two way island
FBA#20-El Paso/Juarez-Dec. 2008
First block of America (FBA).
El Paso Street. La Frontera. I’d call it Texas but it ain’t. Everyone knows it if they’re from here. Texans hold their arms out, full length. Americans think it’s part of Mexico…or hell. New Mexicans…furgidaboutit! It’s all they have to really feel superior to.
El Paso, the nation-state of nowhere.
Tender mercy
LBI #7 Pano.series-Carlsbad, New Mexico/December2008
Been working on the Land Before the Interstate (LBI) series for a long time. Every chance I get to go there I grab. Time machine. No Interstate. No giant concrete suppository running right through your heart. The kinds of places Duvall would crash down in in Tender Mercies.
Ciego Musico/Blind Music
Calle Juarez, Ciego musico/Blind Music, Juarez – 1982
Juarez
This man played in the streets of Juarez for all my first years in La Frontera. He was blind. He was small. He made music like a special desert bird, joyful to bathe in just a drop of water, joyful to sing, even to the passing and witless American tourists.
Angel in the ‘hood
Segundo barrio, Armijo Park, El Paso /Sept. 2008
Immigration abuse never ends. Jacob Riis: Concerned Photographer
“Slept In That Cellar Four Years,” 1890-92
“Slept in the cellar (of a Ludlow Street tenement)
where the water was ankle deep on the mud floor”
View more work -and hear an excellent NPR audio clip- by the great Danish-American documentary photojournalist. He was one of the first to use “flash,” (first introduced in Germany in 1887). Riis cast the mold for what a “Concerned Photographer,” is, and launched a century of relevant, motivating and society-changing “witnessing.”
Editor’s Note:
For more images and audio clip: http://www.npr.org/templates/story/story.php?storyId=91981589
Another distant border in Hell
Please check out: An internationally touring multimedia exhibit on Darfur.
Darfur is another border between Europe and sub-Sahara Africa, between Muslim and Christian, between (whatever is left of) sanity and outright brutal lunacy.
Learn more from some of the world’s best photographers.
Moving day ( a bad pun)
PHOTO OF THE WEEK (#1): May 16-23, 2008
Moving the man, Uptown (upper Broadway Street), Chicago, 1969
I have moving on my mind. I don’t do it often. When I do it is a reincarnation for the better or worse. I am about to do it. In so doing, I came up with this image from the boyhood of my life as a photographer. One of the very first. I still like the street puns.
Interview with two Magnum greats
Editor’s note:
This is an interview with Magnum photo greats, Elliott Erwitt and Burt Glin.These are the oldest current members of Magnum, the great photography cooperative founded, in 1947, by Henri Cartier-Bresson, Robert Capa, Robert “Chim” Seymour and George Rodger. For a certain kind of photography -our kind- this is a group of top notch shooters with really interesting work. If one needed to summarize the “vibe,” of Magnum, the word we would choose is, “Humanistic.” We’d define that as a passion for telling the truth -visually and emotionally- about humanity, all of it, with a predisposition to the idea that, as Anne Frank said, “I still believe…most people are good.” Magnum shows the full range, always entertainingly. These two photographers, are its heart and soul and treasure.
April 22, 2008
Magnum’s reputation is not just based on extraordinary photography. What distinguishes the members of the photoagency, which was founded in 1947, is character. The legendary Magnum photographers Elliott Erwitt and Burt Glinn talk about moments of opportunity, courage, independence – and humor. This interview was conducted by Pia Frankenberg in December 2006 and was first published in Frankfurter Allgemeine Zeitung in January 2007.
USA. New York. Dance School. 1977. The image is from part of a photo story about “upper class” children getting dancing lessons and being taught the “social graces”. © Elliott Erwitt/Magnum Photos
Pia Frankenberg: Since when do you two know each other?
Burt Glinn: We first met in 1952 or ´53 I guess.
Elliott Erwitt: In the morning, I think.
El Patron de Las calles: Robert Frank
from The Americans
Robert Frank
b. 1924
“I am always looking outside, trying to look inside.”
This is da man! King of the road. He saw what everyone saw but he saw it through a 35mm camera and with a critical eye. To look at it now -the Global Village which used to be just America- needs a new eye. The question has been out there for awhile: What have we become?
Check the updated Blogroll/Photolinks. Great new sites!
The mainstream of photography, from its inception, has been Documentary Photography, the straightforward act of visual description for distribution to an interested audience. Some would argue that its utility as a means of information has passed and that other media -video for example- serve that function in more effective ways.
Hog wash.
Still photography is the perfect abstraction of reality. It is based in reality, works best when trying to describe reality and becomes pure magic when used in the service of learning -usually beyond the control of the photographic practitioner.
Check out the new and updated Blogroll (right) and suck in the inspiration and knowledge that these documentary photographers provide. Nothing, for me, does information better than photography.
See and feel the work. That’s why it was created.
Cool Sneaks And Artifacts That Matter
Photograph of Dorothea Lange,
Resettlement Administration photographer,
in California, c. 1936
The car is a 1933 Ford Model B (AKA “V8”).
She is -as well as Russell Lee and the other FSA photographers- the spiritual “Godmother,” of this site.
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This is a picture of Dorothea Lange, at work. She was one of my earliest influences (the other was Weegee).