POLISH GYM SHOES 1971

July 11, 2023 No Comments

Smoking Man, diner at State and Ohio Streets, Chicago, 1971

Photograph and Text by Bruce Berman

This was the very beginning of my career, when I first realized what I wanted to be … a photographer. Not much has changed since then. This is exactly the kind of photograph I like to make, the kind of experience I like to have. Me on the prowl, encountering a person on the fringe, direct eye contact. The only thing I do now that I did not do then is to get more info about a person, really get to know them. At that time, and for many many years afterwards, I was just satisfied with getting the photograph. As time has gone on I now realize that that is incomplete. It’s the photograph and the text that matter, so that the person photographed is honored, not just used. Maybe that reflects aging, learning the world is not all about me but about me being in the world, about respect for others, maybe just about being a real documentary photographer.
So, here I am, 42 years later and I don’t know who he is, where he was from, what the name of the diner was, what he did for a living, exactly when the date was, etc., i.e., the 5Ws that any journalist knows are essential.
A detail I never noticed before, is his shoes. Believe it or not they are meaningful to me. In my old south side neighborhood, these are the kind of shoes we’d buy every few years. They were our main shoes (except for dress shoes). These were the “better ones,” because they have finished leather. Ours were the exact same 10 lace model but a cheaper brand, and the leather on those was called “rough out.”
Why am I talking about shoes? 

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EDDIE’S CAR

Eddie’s Car, Uptown Chicago (ChiTown Journal book), 1971, ©Bruce Berman

Photograph and text by Bruce Berman

Autumn 1971.
Eddie Geary got a new/old car.
He was scrounging the ‘hood looking for tires and rims. Not sure it ever got running.
I knew him for two years and the car never moved. The neighborhood never changed (until years later and the gentry came in, upped the equity and got rid of the Eddie Gearys).
Don’t know whatever happened to Eddie. Did he go back to Kentucky? Did he get up and out of the ghetto? Did he get a car of his dreams?
Don’t know. Wish I knew.
The photo series Uptown was more specifically about Appalachian migrants to Chiocago from Kentucky and Tennessee. It was my first documentary project. I wasn’t as good as the subject was, but I go my start. I just finished a book that contain the images. I’m lkooking for a publisher. It’as called the ChiTown Journal. Itr was my first “border ” project.
The border I refer to wasn’t a physical line but, actually, the line between immigrants to a foreign land and how their otherness, their language difference marginalizes them, leaves them open to exploitation and and makes them vulnerable to a social and lkegal system that does not favor them.

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UNCANCELLATION

Cancellation #93, Mom’s Kodak film, Chicago, 1950s

I once did an entire series of photographs called “Cancellations.”
It started because one day I was looking at a stack of shipping boxes of my photographs that I had sent to various galleries and museums (pre Internet) that had been summarily rejected. Thanks. No thanks, return to sender. There were a lot of stamps on those heavy boxes. The post office cancellations were ruthless, slashing, colorful. It’s like the post office knew I was unworthy, as well. I half jokingly wondered if the galleries hadn’t done it themselves.
I got lucky here and there, exhibited them for awhile. Dallas. Houston. Cologne, Germany. The art world thought they had found a new star. I knew I was a fraud.

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Garry Winogrand And Milliseconds Of The Oblique

Garry Winogrand. Off kilter. Off beat. And right on in capturing the milliseconds of the oblique.
Watch this video and think about Garry lassoing the non-monumental. He was a wild puppy and full of life. Just enjoy the fun.

A memoir: Meeting Garry Winogrand
by Bruce Berman

Garry was a photographer and a winner of prizes: three Guggenheim Fellowship Awards (1964, 1969, and 1979) and a National Endowment of the Arts Award in 1979. He was a street guy and he was, most of all, a New Yorker. His photos reek “NYC.” He was hugely famous and revered in the 1970s and 80s.

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