On The Edge of the Edge – The U.S. – Mexico Border
Spring and summer of 2006.
“Revolution,” in the streets. Faux Revolution? Revolt. Spurt of protest? Quien sabe?
Remember? The immigration demonstrations and walk outs?
Waiting.
It’s hard to remember the last time I was waiting for something and not pressured to be thinking about the next stop, the next appointment.
Leisure?
Barely remember that…
Slow time? Time seems to be on steroids, going faster and faster.
So I came across this guy and time seemed stopped. He was waiting for the grieving and the return of the dead to his vehicle.
Flying tattoo on the window. That’s what I was after. Beautiful.
What I got was the Universal Salute?
Priceless.
He didn’t like me? No, I don’t get that. I do struggle with why I shoot on the streets. What right do I have, who appointed me? There’s some kind of thing I got into my head about documenting and witnessing and leaving the artifact that has driven me for a long time. So I do.
I like the fact that the tattoo-ero sends something back. He’s got a right. We all do what we’ve got do.
So, I get my tattoo in Juarez.
It’s not always peace and love out there.
So be it. ‘Ta bien.
Today the Bishops of El Paso, Las Cruces, NM and Juarez, Chihuahua, Mexico met at the border fence at Sunland Park, NM and Anapra, Chihuahua to protest current immigration policies and to promote understanding for immigrants from Mexico, as well as world wide.
A man stands in the last light of the day at the corner of 6th and El Paso Street in El Paso, Texas. This is the first street of the United States after entering the U.S. from Mexico from the Paso Del Norte International Bridge. The bridge links Ciudad Juarez with El Paso and 6th and El Paso streets could be considered the crossroads of the northern part of the Western Hemisphere from south to north.
A lot of old folks (viejos) grew up in this barrio and are still there. They are the dignity of the barrio.
Imagine how people felt when a picture of an old viejo was used, by City planners, to show what was wrong with El Paso?
Los Viejos are what’s right with El Segundo.
Photograph of Dorothea Lange,
Resettlement Administration photographer,
in California, c. 1936
The car is a 1933 Ford Model B (AKA “V8”).
She is -as well as Russell Lee and the other FSA photographers- the spiritual “Godmother,” of this site.
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This is a picture of Dorothea Lange, at work. She was one of my earliest influences (the other was Weegee).