Cellist, El Paso, 2011/©Bruce Bermanelis
Last days of the last days, Globe Mills
and I10, El Paso, October 2015,
photograph by Bruce Berman
“I want you to come on, come on, come on, come on and take it,
Take another little piece of my heart now, baby!
Oh, oh, break it!
Break another little bit of my heart now, darling, yeah, yeah, yeah.
Oh, oh, have a!
Have another little piece of my heart now, baby,
You know you got it if it makes you feel good,
Oh, yes indeed.
You’re out on the streets looking good,
And baby deep down in your heart I guess you know that it ain’t right…”
ASARCO #212, May 2012. Photograph
Photograph and text by Bruce Berman
I miss you ASARCO.
You were texture. You were identity. You were muy macho. You had cajones. Your candy stripe shaft spewed your acids and we ran for cover. At least we were moving. You were not vanilla. You were not something else. You were, well, ASARCO, un madre. You were definitely not bourgeois, pro seguro. On dark nights, down on Paisano, huge trucks dumped your excrement and giant flames roared into the sky, lighting up I10 like a festive firecracker.
Now you are a bald pallet awaiting “The Grid.” They fiddle before they drop the hammer, just enough time for one to build trust in the untrustworthy. What should go on the ground that has your blood? Should it be a Western Town? Giddy up! Should it be an amusement park? Ice cream! Maybe it could be a “multi use” nothing (Ha! What else do you think they will do!)? We need more apartments and strip centers! Maybe we can just let UTEP spread its, its…well…it could just spread whatever it is that UTEP has.
I will politely clap. I am not lamenting the inevitable any more than I do on The Day Of the Dead.
Yes you were a cancer dispenser, a reminder of danger, vulnerability and of the sweat and blood of working men. Oh yeah, you were one bad hombre. Oh, and how the gerentes avoided your gaze. You were so not sheik. How could we sell this bipolar berg as the cultural and artistic epicenter of the great southwest with your giant schlong sticking into the sky, having intercourse with the eyes of every passerby? No no no, you had to go. You were so, well, nasty!
Text and Photo by Bruce Berman
No telling what and who will come over the Cordoba bridge that links El Paso, Texas with its sister city Juárez, Chihuahua.
In this case, crossing from south to north, was Spencer.
Pipe, a hat that said “F___ Off,” aged Doc Marten’s, punk rock labels every where, he is as ecclectic as the border. In a strange way he, is the border: neither this or that, neither Mexican or American, neither barrier nor passageway.
A friend once called the border a metaphor for a person who has “an undefined personality.”
Looking at Spencer -and some others (in my mirror!)- I’m thinking it’s a place for very defined personalities.
The problem is that it’s really difficult to say exactly what they are.
Which brings us back to “undefined.”
This man shocks people in bars! He takes his battery operated tool around and for five bucks looks for masochists who, drunk (or insane?), pay him to turn up the juice, hit the button and let ‘er rip..
It takes all kinds, no?
And it takes someone to recognize certain kinds of Humanity and let ‘er rip…for…five bucks!
The View South #421, July 2014
Flags are down in Parque Chamizal. Wind must be up and hopefully a little rain. Just a whisper of a season change. Not yet. But not all that far off either. ‘ta bien. The View South. Days come and go. Then years. Then decades. Then…? I turned my back on the past a long time ago. People tell me that’s good. Bible says it too. Do they really mean it?
by Co-Editor Bruce Berman
I drive my old routes. Camera on the passenger seat or my lap. As always, these days it usually stays there, untouched. There are things along the way that spark memories. Object that aren’t there anymore. Gorgeous commercial signs constructed by craftsmen in the 1950s and 60s (not the least of which from the Jimenez Sign Company) were carted off to other cities that were twenty years ahead of El Paso in their bourgeoisie ambitions.You can drink under some of El Paso’s “Motel, Vacancies,” signs in various bars from Austin to Houston to Baton Rouge. There’s a withering away now, aging and weathered, but mostly not endearing anymore, not worth stopping for (to make images). There came a year, a month, a day when the treasures of El Paso were either gone, carted off or just left to rot.
There are whole swaths of this incredible and authentic city that are gone, at least for the long gaze of a photograph: Alameda. El Centro (downtown). Segundo is shrinking fast, bordered by El Paso Street on the west (with nasty tentacles of them all over it) and Cotton on the far east, with old residents living out their days, youth getting out fast and them with their bulging eyes all over it. Off of Delta there are condominiums and some revamped industrial buildings, residents living an almost urban lifestyle (sans humanity). Even the Gay Bars have fled, a sure sign of urban renewal/removal.
It’s not my job to do anything about any of this. My job, as I saw it, at the beginning, in 1980, was to give face to a face that was not known and I have tried. As The Grid lays out its future in the city with two hearts, it’s clear to me that my mission isn’t to pick sides in land rights, power exchanges, or to watch -or judge- the inevitable blandification. But blandification has come. Oh happy day. Some loudly exhale and go, finally! The city is becoming presentable to visitors again. It’s cleaner. It’s newer. There’s baseball. Soccer is coming (watch out Chamizal! The final blow that started in the mid 1960s is finally here). There are restaurants with the preface Le with Foo Fo thing-a-ma-jig dishes with little portions of things that look like they squiggle -vegetables- on top of things it’d be hard to identify below. Fancy. Plates of Foo Foo. There are young people downtown again, well, the kind of young people that look like they’d also be comfortable up in Kern Place on Cincinnati and the upper Westside.
Finally, there’s a Starbucks downtown near the Plaza and the Westin. The kids from the ‘hood can serve the hipsters that come in from outer Zaragosa Road and beyond.
Boring? Not to everyone and I wish them the best. I am not part of this. I left this scene in three other places I lived before this very long stretch here. It’s the same message: you’re in the gentry or you’re equitied out of the gentry.
Segundo barrio Yo Yo boy, Halloween 2011
Text by Bruce Berman (in full snide mode)
Halloween is The Great Day in El Segundo barrio. The ‘hood comes alive. People are pouring over the bridges heading from Juarez on the candy quest. People in the neighborhood put on the costumes and come out of invisibility. The first block of America (6th and El Paso) is a riot of laughing and color and wild abandon.
Nothing is sure on this border in this neighborhood anymore. “They” are back! The Developers. “The 180s” aren’t around on this day. The Developers, their Pol puppies, the Gov. employee “Good Germans,” even the The Do Gooders (even if they are really the Do Badders). That’s what I have come to call them all. They say something and if you want to find out what they just said just think 180 degrees opposite from what it was. Most of them are up in Kern Place handing out candy, their yearly contact with the rabble. They’re all afraid of the people when they have fun.
Mailbox Kids, Segundo Barrio, El Paso, 2012
The Shrinking Segundo Barrio
by Bruce Berman
El Barrio, The Segundo, is shrinking.
It’s getting the squeeze. The squeeze has been coming for a century or more but it’s a full assault now, and a generation that had roots in the ‘hood, that was born of a time and place that demanded they fight, is no longer there in numbers and possibly not there in energy and historic resentment.
The neighborhood is being squeezed from the north with the Dreamland Downtown Plan back on Premium and from within. A proposed Science museum in the old Armijo School would be the death blow.
If the deathblow can be delivered to an already dead corpse.
Doroteo in front of the ruins of Centro Chicano
2011 ©Bruce Berman
Centro Chicano gone. Rosas’ place gone (goodbye early 19th century, hello Denver to El Paso bus station). Flea market gone (it was so, “messy”). Museo Urbano, barely here and now gone. Koreans on S Street seem to be throwing in the towel, going. Can’t sell to Juarenses that aren’t there. The bi-national plan rising like a phoenix, unchanged and in better shape than it was (thank you Cartel War).
I know where “El Paso,” is right now. Bright New World. Shiny. All’s they need is a theme park and it’s on its way.
But Chicano El Paso, the turf south of Paisano, south side, El Segundo?
Low Rider’s Crucufix, east El Paso-May 2012
One sees the world through one’s own window. This is the Low Rider’s punta de vista. What’s your’s?
Rato Vato….I’m back!
Man in the Segundo, El Paso – Sept. 2011
Photo and Text by Bruce Berman
Man from Anthony, New Mexico, describing his younger days in the Segundo barrio.
The Segundo barrio is El Paso’s most historic neighborhood, hugging the border with Juarez, Mexico and architecturally intact from the 1880’s “railroad boom,” that brought fired brick architecture and “Chicago Brick (which is atypical red).” Some adobe structures go back to the early 19th century. This part of the city has had human habitation for thousands of years. Spanish travelers began European settlement at this place in the Rio Grande/Rio Bravo in the mid 1600’s.
The real significance of the Segundo barrio, however, is the Latino community and it is significant. The barrio, historically, was the first “stop” on the journey north to “El Norte,” whether it was a matter of days for rest or for a generation of orientation. Many people in El Paso trace their roots to family who lived in El Segundo barrio in their first years in the United States.
FOR CAFÉ TACUBA VIDEO (and the rest of this article):
Luis Jimenez’ Largartos (Alligators) in San Jacinto Plaza,
El Paso, Texas, July 2011 by Bruce Berman
El Paso —
by Bruce Berman
This is what kids do on their Quincineras in El Paso. They go to the heart of El Paso. They go to the downtown plaza, the “San Jacinto Plaza.”
This is what they want to record for a background, Los Lagartos, the alligators. They don’t go to the Mall. The Plaza theater around the corner really isn’t open to them (hey why not show movies? Why is it closed? It’s for “the people, isn’t it? Show movies in the daytime and they will come). Kids -and visitors- go to where their heart tells them there is a soul to the city: they visit Los Lagartos.
Do they even know why? Do they know that the artist who conceived and constructed the Lagartos was one of them, a local kid who once had a rented tux(I’ve seen the picture), celebrating like El Paso kids do, joyous and robust, almost free for a day (well that Limo driver is just out of camera range and is -unofficially- going to pass on a little mini spy report to the parents and they know it!).
Prom Girl, El Paso, Texas -May 2011
Murder schmurder! It’s Prom Night in El Paso.
Those buildings in the background are downtown El Paso. The space behind, the mountain, that’s Juarez. That girl there, in the foreground, the one with the whimsy and the joy and the hopes and the fragility, she’s a million miles away from this borderland desert, that stupid and brutal war (Juarez), that trying parking lot monotony (El Paso), at least for this night.
What is the news anyway? Is it what “they (in my case, us)” say it is? Or is it the dreams of a young girl (or boy) on one of the most remembered nights of one’s life?
I’m thinking the news, the significant events of our world are days and evenings, like this. Viewpoint. Remember that (!) as we become addicted to trouble and stress and our live’s of “quiet desperation (you wouldn’t know it if you looked at TV commercials would you?).”
One can hope it’s that way.
Gator skin and diamonds, El Paso – May 2011
El Paso –Six blocks to the border. There are diamonds. Well, they ought to be diamonds. He says they cost $250. I believe him. Sunday drive. Family in the Dodge. Stylin’ on Paisano Street by Bowie (Boooie). If you know El Paso you know the references. If you don’t it wouldn’t matter. Chuco street.
One of the riddles of photography for me is that every once in awhile there is an image that must be in color. Most everything I see and shoot is in B/W, but every once in awhile…
This dude is in color.
Love in the Desert 2011
by Bruce Berman
The Great Border Storm of 2011, El Paso-Juarez
by Bruce Berman ©2011
EL PASO –It was an amazing storm. Hard to believe it happened. Zero temperatures (in El Paso!!!!). Ice. Snow. Irregular electricity. No internet. Intermittent Gas (for some people). Highways closed. Jobs (including mine. I haven’t been to NMSU since last Tuesday! Bummer! I like it) canceled. Everything closed. Voluntary curfew (requested). Went on for three to five days (depending on which part of this freaky happening we’re talking about, and, when it was all over, yesterday, it wasn’t over because there were major outages of water (I’m going to get that shower eventually…like today!).
Now I think it’ll be El Paso again and we’ll be in shorts T Shirts and swamp coolers, squishy asphalt, hoods up and steaming radiators and complaining about the heat in no time at all.
Like I said, it was like a dream and hard to believe it ever happened.
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©2010 Bruce Berman
EL PASO — Grave is a Renaissance man. He prowls the city spraying paint, rapping with passerby (me included), dreaming of new projects, checking out vacant walls that he or his kids can awaken, always lining up the next stuff, sharing philosophy, Being.
Angelica, Segundo barrio, El Paso – Oct. 18, 2010
EL PASO –Angelica Alvarez. A true believer. A believer in her faith. A believer in a better day. A believer in joy.
I noticed her as she worked her way down the street, engaging every person that she encountered, leaving each person she talked with a smile on their face, enthusiastically waving goodbye to her, they no longer strangers.
I followed her.
Martin, man of dignity and courage, Lomas del Poleo, Summer 2009
I said I would be back to Lomas and I haven’t been back in a year now. It’s crazy. I drive to work in Las Cruces three times a week and I look to the west and I can see you, I can see Lomas, right there, the flat top mesa poking out from behind Cristo Rey.
No, I haven’t been back. I am sorry. Life caught up with me and I had to do my labors, take care of biz, run around like a chicken without a head. And, in the meantime, I have fallen in love with a photo project, far away from here, up in Nuevo Mexico, and I have given it a lot of my attention.
All weak excuses.
I said I’d be back and continue the work we began and I haven’t.
You -and sus vecinos, sus compañeros in Lomas del Poleo- are never out of my thoughts.