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The Megabandera (giant flag) in the Chamizal Park in Juarez is usually the place for joy and pleasure, a meeting place for families, lovers and tourists.
That was before la catástrofe.
The catastrophe.
Before the Cartel War.
Editor’s Note:
Check this video out.
When Americans talk about the violence in Mexico they often view the situation through “western” eyes, thinking of Good Guys v. Bad Guys.
As this Al Jazeera report shows, the conflict is often between Bad Guys and Badder Guys and the public -the oppressed people of Mexico- have to stand on the sidelines, knowing but unable to alter the situation.
This video asks, Where do you turn when there is no one to turn to?
Commentary by Bruce Berman / Video by ©Al Jazeera 2014
There’s something happening in journalism.
When Aljazeera -who shouldn’t give a hoot about what’s happening in Mexico- publishes a well done piece on police kidnapping in Mexico, when Mexican journalists go ahead and publish their own work, under duress, knowing that to publish is to perish, and increasingly the xenophobic U.S. press dithers on entertainment and cheesy presidential inanities, we are talking about a new arrangement of the deck chairs on the the good ship journalism.
The truth is that most American newspapers and magazines aren’t undergoing the huge transformation they are experiencing in a vacuum. It’s not that hey are not irrelevant. They are merely irrelevant as the source for hard news (at a minimum) that relies on being the “go to” media.
For the most part, they are not that any longer.
If there is one source “out there,” it will be Tweeted or Posted on some social media site, within minutes, and then the fun begins. From there, people will Retweet it (RT), add links or complimentary sources and then the multiplier of social media begins. The question isn’t, Are you getting the news, but, rather, How much can you take?
Of course the eternal existential question remains, What happens when there is no longer a source of information (such as the New York Times. Sky News, CNN or Fox, i.e the “media giants?
This is not likely.
An important piece on the journalists of Juarez by Brent and Craig Renaud/New York Times
“Reporters in Juárez not only cover drug cartel violence but are often targets themselves.”
JUAREZ, Mexico – Juarez still stands. It is still Juarez. It is a city of my heart. I am not alone. It is insane what has happened in Juarez. There is no reference or metaphor: it just stinks. I walk the streets and there are “tastes,” of the old city. The “new city,” the one of Malls and chrome and green eco-glass, the nightclubs and shiny new cars has disappeared more than the old city has.
This might say something about what the condition of the city was before “The Troubles.”
[flagallery gid=6 name=”Gallery”]
Is there any Light at the end of Juárez’s tunnel?
There are a lot of things in Juárez these days: widows, widowers, killers, thugs, riddled bodies, drug addicts, every day normal people, kids going to school, people being married, bombs and death across the street (almost) from the old “City Market.” Everything.
There is very little Light.
The city seems to have turned from sunny and bright and colorful to Black and White, like an old photograph, one that wasn’t “fixed,” very well and is losing it’s contrast and fading away. The brightness is gone. Light is at a premium, right now, for sure, in Juárez.
Last block of America. Or is it the first?
Fifth Street and El Paso Street, El Paso, Texas.
This used to be happy street. It’s still a busy street. It’s the street where the downtown bridge from Juarez exits or, conversely, it is the street where you leave the United States and enter the bridge to Juarez.
There’s a strange urgency on this block now, on this border now, if you’re looking and listening these days. People try to get back to Juarez before dark. Dark is when the heavy killing begins. At least that’s the way it’s been for the last year. Lately, things are getting even crazier in Juarez. Burrito ladies shot in the middle of the street in broad daylight, children executed in plain sight, house invasions and retaliations. Hard to know when a “safe” time to be in Juarez anymore.
Cartel War?
It was.
Been thinking about this guy and borders and the idea of the Big Picture versus the small picture ever since I made it (the photo) this summer, on an almost rainy night, in the northeast section of town, out by the military base.
John Hughes.
Angry. Joyous. Funny. Dangerous. Sweet. Full of love, hate and ambivalence. Boozed up, half mad, half brilliant.
“I am free,” he shouts at the night. “I am free and I am in hell.”
I ask him if he ever goes across the border?
“I am borderless,”he replies, “aren’t you?” He shakes his hand and does a twirl, almost stepping into busy Saturday night traffic.
He does a little dance and steps so close to the edge of the curb that I go to grab him but he spins back onto the sidewalk and does a very theatrical bow. He is a tight rope walker and it looks like he has done this toe dance forever.
There are a lot of viejos in the Sagundo barrio. They get around.
There are a lot of kids too.
Like it always was but just fewer. It’s the heart of this isolated town.

Local TV Handles Vilolence In Juarez (at least Art about violence)
Your Editor Stumbles Into a Defense Of Decapitated Heads (Art) At El Paso’s Library
July 9, 2009
Editor’s Note: Here is what they left on the “cutting room floor”
Violence? What violence?
Wha-a-a-a…we need distractions?
Si. Si se hace (I am scolding myself right now!).
The Juarez Indios are a professional futbol team(soccer). They are in the middle of the Cartel Drug War. Much of the city of Juarez has rallied around the Indios, finding some “normalacy,” in the middle of the troubled Juarez violencia. Julio Daniel “Maleno” Frias is a star of the team, a “striker,” a troubled city’s hero. The city loves him, he’s a hero in the middle of bad news caused by rats. When “Maleno,” was younger he joined a gang. He got shot. He decided to change his life and he did. Maybe this is why the city fell in love with him, he’s a living metaphor for a city’s hopes. Maybe they just like the way he plays: smooth, quiet and intense.
Some players have left the team and others have sent their families back to the cities they came from (some in Mexico, one in Argentina), trying to avoid the touch of violence that has afflicted Juarez, Mexico’s third largest city.
The team is struggling to stay in the top tier of Mexico’s professional soccer league.
Attendance is sold out.
Futbol is trumping the war.
So far.
Life goes on.
You start to wonder if it’ll ever end but it will end.
La violencia. The violence.
Summer on the FBA. Hot. 100.
This is Father Rahm Street, which is, actually, Fifth Street. Around the corner is El Paso Street which is the first block of America (or the last, depending on where you’re coming from).
Around the corner, to the south is where the Paso del Norte bridge from Juarez empties out. There are stories on this street, big life-journeys begin here. This is where dreams begin. Some people have called this the “Ellis Island of South America.” Maybe that’s the draw for me (my Father was born on that other immigration island in 1907). That was another dream. These are places where dreams can start.
The Black Cross mural for the violence against women in Juarez appeared a couple of years ago. Then they put a bus stop in front of it (dumb). Then they took the bus stop out but painted over the text (also dumb) about the violence to the women.
Whatever. Life passes and passes strongly. This is where I have spent a lot of my life.
Nothing stops the energy on the FBA. People are looking for their place, their direction, their dream. I’m looking. I’m there almost every afternoon.
Drug cartels want migrants’ routes
Fight to control corridors on Arizona border turns violent
ALTAR, Mexico ˆ This village on the edge of the Sonoran Desert has been a supermarket for smugglers and the smuggled for nearly a decade. Migrants choose from an array of packages offered by coyotes and pick up day packs and anti-dehydration potions for the trek north.
Now drug smugglers want their route.