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GHOST
Ghost, Exit Zero, Anthony, Texas, May 18, 2023
Text and Photograph by Bruce Berman
This is the first photograph I’ve taken in a long time that actually means anything to me.
I’ve been a photographer for fifty-five years. So that’s kind of a sad statement, eh?
I’ve been teaching photography at New Mexico State University for the past seventeen years. It takes its toll.
All the energy I ever put into my own work and the work of the work that allowed me to live off of it gradually but inevitably goes into inspiring others to do what I used to do.
Anyone that teaches can tell you there are some great students that make it all worth it. They’ll probably also tell you there are a plethora of others that didn’t treasure the gift you gave. It’s part of “the biz.” You roll with it.
I do think there comes a time, a rubicon, where your own creative desires become endangered. It’s not just the endless repetition about the mechanics, and the history and the nuances of doing photography, it’s also the endless drivel of academia, the business of being in a university, the committees that mean nothing to me personally, seemingly a bubble of detachment from reality, the occasional obscenity of human behavior, acting so massively vicious because, the stakes are so low. Politics are vicious and low. The feeling of irrelevance can be very high.
Man In The Segundo
Man in the Segundo, El Paso – Sept. 2011
Photo and Text by Bruce Berman
Man from Anthony, New Mexico, describing his younger days in the Segundo barrio.
The Segundo barrio is El Paso’s most historic neighborhood, hugging the border with Juarez, Mexico and architecturally intact from the 1880’s “railroad boom,” that brought fired brick architecture and “Chicago Brick (which is atypical red).” Some adobe structures go back to the early 19th century. This part of the city has had human habitation for thousands of years. Spanish travelers began European settlement at this place in the Rio Grande/Rio Bravo in the mid 1600’s.
The real significance of the Segundo barrio, however, is the Latino community and it is significant. The barrio, historically, was the first “stop” on the journey north to “El Norte,” whether it was a matter of days for rest or for a generation of orientation. Many people in El Paso trace their roots to family who lived in El Segundo barrio in their first years in the United States.
FOR CAFÉ TACUBA VIDEO (and the rest of this article):
Dominoes Fall
Rush Hour, Juarez – July 9, 2009
You keep hearing about the murders.
Bad.
Real bad.
They are the wind that blows in the perfect storm.
Centro Family Train
Family in Segundo barrio, El Paso – 2009
Thanksgiving Day.
Summer of 2009.
I see it every day.
That other day, the one in November, I guess it’s in there somewhere. Eating and stopping the world and traveling and the whole schmeer. That’s thankfulness, right.
What is the word for grinch in Thanksgiving-ese?
I see thanks every day in my barrio. I see thanks for the mere act of being alive and being safe and having someone who calls you Dad or Mom or Mijo.
Yeah, I’m a simpleton.
And I dig it, too.
Welcome To Juarez
Entrance to Juarez, June 2009
Militarization works two ways.
The bridges between Juarez and El Paso used to be friendly -although tedious if in a car- gateways to good times or better times, depending on which way you were traveling. Or is that just nostalgia?
Well, if not “friendly,” than at least not hostile.
Now they are reinforced pathways to go do what you gotta do. No joking. Get back by dark. All business. No fun or pleasure. Nothing lives. One endures the crossing. Rigid. Steel. Chrome molly tubes. Crash proof.
A Valentine (in Texas)
Cracked window in Valentine, Texas-Jan. 9, 2009
There I am, tooling through the vast landscape of West Texas, working for an English language newspaper working out of Abu Dubai, Arab Emirates. Don’t ask. I’m not sure I understand the assignment. Something about Bush returning to Texas and illustrating what two brothers, who were doing a road trip, saw (except, according to my editor, they were really bad photographers). What that has to do with West Texas, I can’t figure.
Interview with two Magnum greats
Editor’s note:
This is an interview with Magnum photo greats, Elliott Erwitt and Burt Glin.These are the oldest current members of Magnum, the great photography cooperative founded, in 1947, by Henri Cartier-Bresson, Robert Capa, Robert “Chim” Seymour and George Rodger. For a certain kind of photography -our kind- this is a group of top notch shooters with really interesting work. If one needed to summarize the “vibe,” of Magnum, the word we would choose is, “Humanistic.” We’d define that as a passion for telling the truth -visually and emotionally- about humanity, all of it, with a predisposition to the idea that, as Anne Frank said, “I still believe…most people are good.” Magnum shows the full range, always entertainingly. These two photographers, are its heart and soul and treasure.
April 22, 2008
Magnum’s reputation is not just based on extraordinary photography. What distinguishes the members of the photoagency, which was founded in 1947, is character. The legendary Magnum photographers Elliott Erwitt and Burt Glinn talk about moments of opportunity, courage, independence – and humor. This interview was conducted by Pia Frankenberg in December 2006 and was first published in Frankfurter Allgemeine Zeitung in January 2007.
USA. New York. Dance School. 1977. The image is from part of a photo story about “upper class” children getting dancing lessons and being taught the “social graces”. © Elliott Erwitt/Magnum Photos
Pia Frankenberg: Since when do you two know each other?
Burt Glinn: We first met in 1952 or ´53 I guess.
Elliott Erwitt: In the morning, I think.
Stuck in Juarez: Time warp (siempre es lo mismo)
PHOTO OF THE WEEK: April 25-May2, 2008
Stuck in Juarez, colonia Avicola-1989
The Silva family came to Juarez with the intention of crossing the border, into the U.S. and then traveling to the Midwest, where a family member had preceded them. They intended to work in agriculture in the wheat fields of Kansas. A dream. The American dream. It wasn’t to be their dream.
Astronautas de Juarez
Two girls on a field trip, Juarez, Chihuahua, Mexico / June 2007
Two Juarez girls hamming it up at the NASA traveling exhibition that was shown at the Centro Municipal de las Artes in downtown Juarez, Chihuahua, Mexico in May through June.
WICKER’S TIRE
Remnant #19, Tom Wicker’s Tire-El Paso, Texas / July 2007
This giant tire is in front of Wicker Tire Company at 701 San Antonio St. in El Paso, Texas. It has been there since the late 1960’s and has become an El Paso landmark. The tire was originally on an earth moving vehicle that worked on the Panama Canal. It was brought to El Paso in the late 1960’s, where it has rested at the corner of Paisano Drive and San Antonio Street. Before Interstate 10 came to El Paso, Paisano Drive was U.S. Alt Route 80, the truck diversion route around El Paso, part of U.S. Route 80 that was the main southern route starting in Savannah, Georgia, and ending in San Diego, California. When Interstate 10, was completed, most cross country traffic was diverted from Paisano Drive, but, the Wicker tire has endured and enriched the landscape for several generations of El Pasoans and other passerby. Highway Art, a commercial mainstay of travel in the United States in the 1930’s through the 60’s, has become true art and and this one endures as a true El Paso landmark. Tom Wicker, son of the founder of Wicker Tire Company, maintains the Giant Tire, repainting it approximately every three years, “Or sooner if it’s graffiti-ed,” says Mr. Wicker .
Additional Notes on US Highway 80
REMEMBERING LUIS
Luis Jimenez, Hondo, New Mexico, 2001
Born: July 30, 1940, El Paso, TX / Died: June 13, 2006, Hondo, NM
The first time I met Luis, back in the seventies, he came into my apartment and seemed to fill the room. It was like no room was big enough for him.
He was that big of a g
Not physically, although he was that powerful.
Not spiritually, although he did have that aura of somebody who really sees the bigger picture.
He was just big. All of it. Life. Love. Art. Humor. Seriousness. Ambition. Regular guyness.
When I first met him, and I suspect this is what most people felt upon first encounter, I felt like my life was just a lot more complete than it had been a moment before.
If you wanted to be good at something, in my case it was to be a photographer- you knew he’d be encouraging for your dream.
He was a brother. A big brother. And like a lot of big brothers, he was larger than anyone could possibly be.
And, man, was he smart.
He said what mattered. He lived He cut the crap.
He made impossibly complex Art and made it look like you could buy it from a south side El Paso Body Shop. And the Art mattered. It was about something. It was about him and our culture and his culture and the idiocy of our system and about the flora and the fauna and intuition and magic and love and joy.