Bruce Berman Bruce Berman

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About Bruce Berman

     Bruce Berman has been a pro­fes­sional pho­tog­ra­pher for almost four decades. He has always worked in what some have called, “The Con­cerned Pho­tog­ra­pher,” style of pho­tog­ra­phy. His ini­tial doc­u­men­tary projects were in Chicago where he pho­tographed Appalachian migrants to the big city, Black Pan­thers dur­ing the tumul­tuous 1960’s and the gritty street life of Chicago in its Rust Belt years.

     His main work for the past twenty six years, how­ever, has con­cen­trated on the United States/Mexico bor­der, par­tic­u­larly the nar­row stretch of land that encom­passes El Paso, Texas and Juarez, Mexico.

     After com­ing back from one of his ear­li­est for­ays on Alameda Street on El Paso’ south side, in 1980, Berman wrote in his jour­nal, “…I have seen a new world. It is both phys­i­cal fact and myth­i­cal idea. It is a place with a line drawn through it and on each side of that line there are metaphoric mir­rors that are reflect­ing back at each other, per­haps dis­tort­ing each other, per­haps mag­ni­fy­ing each other. It is the US/Mexican bor­der. I will make my stand here. I will try to ‘give face,’ to this place so oth­ers can know it, per­haps, even, so those who live in it will know it more deeply.”

     The aggre­gate result of that effort resides in two main bod­ies of work:  The Bor­der Project: 1985–2007, and Juárez: Car­tel War Years (2007–2011) .

     Berman lives and works deep in the bor­der­lands of El Paso and Juárez, three blocks from the inter­na­tional bridge that con­nects Juarez and El Paso, sur­rounded by and iso­lated in the the vast lands of West Texas and north­ern Chi­huahua. He refers to this as his “Beat in the City State of No Man’s Land.”

     He con­tin­ues to cover his “beat,“for major pub­li­ca­tions through­out the world.

     Addi­tion­ally, since 2008, Berman has added “Pro­fes­sor” to his name. He now teaches pho­to­jour­nal­ism at New Mex­ico State Uni­ver­sity (NMSU), 40 miles north of the El Paso/ Juárez  ports of entry, in Las Cruces, NM. His teach­ing con­cen­tra­tion is on Doc­u­men­tary Pho­to­jour­nal­ism and mul­ti­me­dia reporting.

Many of his stu­dents don’t seem to care about the bor­der too much. They just want to enjoy pho­tog­ra­phy. He won­ders (and relates to it) if they know the genius of their atti­tudes or not.

He loves the irony.

About the Website

     The Bor­der Blog cov­ers the news, opin­ions and cul­ture of the 2000 mile bor­der of Mex­ico and the United States, con­cen­trat­ing on the epi­cen­ter of El Paso and Juarez. The Bor­der Blog is not meant to be a news source as much as it is meant to be a news “feel.”

     The site is a col­lab­o­ra­tive project. Besides Bruce Berman, who acts as edi­tor and pho­tog­ra­pher and some­times writer, the staff includes writer and painter, Juarez native and res­i­dent, Nathan Zarate, and, Beat­riz Andino Zamora, a poet and writer from Zacate­cas, Mex­ico. Zarate and Zamora post occa­sional arti­cles con­cern­ing the pol­i­tics and his­tory of Mex­ico, in gen­eral and La Fron­tera, in par­tic­u­lar. The site is always appre­cia­tive of the cre­ative inspi­ra­tion, bril­liant chutz­pah and deep good­will –as well as exten­sive Web skills– of Manuel Rivera, a fron­ter­izo “to the bone.”

     Con­trib­u­tors are wel­come. Diverse view­points will be cher­ished. The site’s point of view and ori­en­ta­tion will be no mys­tery to its read­ers, how­ever, there will always be plenty of room and appre­ci­a­tion for other voices as long as they are informed, well artic­u­lated and sin­cere and fueled by pas­sion tem­pered by reason.